"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Frido works for the agency "Fantastically Real", for which he fills the gaps in people's lives for a few hours as a husband, politician or employee. As he slips from one role to the next, we experience the consequences that this job entails.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
"Abominable" is an exciting story for children and a great step forward for positive Asian representation.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
If you enjoy the bizarre, silly and entertaining world of the horror B-movies and want a break from the nuanced and poignant big budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October.