Two college couples, Pierre and Sophie, and Frank and Maddison, who seek a relaxing retreat at an Airbnb in rural Cornwall, Connecticut. Their host, Jonah, possesses an unsettling demeanor and provides a curious warning about a locked basement. What begins as a pleasant escape quickly devolves into a struggle for survival as the group confronts an insidious force stemming from the forbidden basement and a broken mirror. As the possessed girls turn on their friends, the couples are drawn into a terrifying ordeal that culminates in the shocking revelation of Jonah's involvement in a continuing, dark ritual.
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
In a Whisper is a coming out narrative, but it’s also a story about multiple mother-daughter relationships and the necessity of family.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
