“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

After saving 10-year-old Jack from an attempted kidnapping, Casey Wright (Sarah Roemer) is hired by Jack's famous father - "the" Sam Austin (Jon Prescott) - to be Jack's home-school teacher. Casey is quickly swept up in Sam's celebrity lifestyle but when things heat up between the two, Casey becomes the target of Sam's crazed stalker.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)