'The Dinner Party' — MiamisFF Review
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.

The film comprises four novellas: (1) “From Boredom”. A wealthy matron, bored with life, embarks on a romance with her children’s romantic tutor. (2) “Nerves”. Haunted by tales of the supernatural, Vaksin can’t sleep and is found in the morning napping on the governess’s chest. (3) “The Avenger”. A husband plans to kill his unfaithful wife but abandons the plot when he dreads the punishment to come. (4) “The Proposal”. A tragicomic matchmaking tale of landowner Lomov wooing his neighbor’s daughter.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
While Peter’s heroics might have been a bit unrealistic at times due to his lack of experience, I will always support the civilian taking down the establishment.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.