Familie ist kein Wunschkonzert 

One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.

Dwayne Wayne and Whitley's youngest daughter takes us back to Hillman College in this iconic 90s sequel.

In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.

Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.

In this short film, writer/director Nikita Hattangady focuses on Jai, a starving artist rooted in the latter category. Though unhoused, he works hard.