“Terrace House”: The Kinder, Gentler Japanese Alternative to Reality TV
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.

ESCAPE IS ONLY A DOSE AWAY . After finding herself face to face with a new hallucinogenic street drug named FALLOWFIELD, a young woman battles the trauma of her past in an attempt to escape her dismal reality.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.