
An ambitious black comedy that tells three loosely related stories: a couple of elderly landowners, laid low by economic conditions and reformist politics, are trying to gather enough money to build themselves a marble tomb that would keep their remains in the style to which they still aspire; they give their now blind former housekeeper a pig that proves to be more trouble than it's worth as the effort to fatten it up destroys what little family the woman has; and one of the couple's tenants, who is presenter of a relentlessly optimistic radio self-help show, tries to put his own counsel into effect when he saves a young woman from suicide.
A film about family and sacrifice... and carnivorous locusts coming after you.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
The animated musical adventure beings fantasy and magic to viewers as they follow Keegan and Moya.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.