Getting Lost in Amsterdam
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Fallen Angels II
Authentic eroticism returns in part two of this much-anticipated sequel. Reveals the hearts and bodies of five young women who descend into a life of compromise for the sake of money...
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Authentic eroticism returns in part two of this much-anticipated sequel. Reveals the hearts and bodies of five young women who descend into a life of compromise for the sake of money...
Rating:
Genre:Drama
Written By:Naoyuki Tomomatsu, Chisato Ōgawara
In Theaters:
Box Office:
Runtime:87 minutes
Studio:Tsuburaya Entertainment
Articles You May Like
A Tale of Two 'Scenes from a Marriage'
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
In The Heights: The Case for Diversifying Diverse Films
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
'Fire Island' — The Newest Rom-Com Putting The Pride In 'Pride and Prejudice'
Fire Island is Hulu's most recent romantic comedy and the latest spin on the Jane Austen classic, Pride and Prejudice.
Lee Cronin’s The Mummy: A Missed Opportunity
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
Martin Scorsese's 'Kundun' is a Must Watch for Dharma Day
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.