Kill Bill: Volume 1 Review
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.

A metropolitan city is in the grip of fear when rolling blackouts bring out a serial killer dubbed The Picasso Killer. One night, in the middle of a blackout, seven strangers become trapped in an office building as the killer hunts for Christie Wallace, the woman that can identify him.
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Despite being an over-talked-about piece of media, 'Euphoria' has some interesting articles about it with personal angles that oppose the average tendency to be generic.