
On the verge of being discovered, the secretly gay lead singer for up-and-coming country folk band "65 Home" dies violently in a back alley. We follow the friends and lovers of 'Handsome Jake' as they try to come to terms with the singer's untimely death. As the band travels to Nashville to honor his passing, we discover that there are many Jake's - the brother, the lover, the poet, the liar and the cruel manipulator. As the band members cross the Midwest with Jake's ashes on board their Winnebago, they must now struggle to regroup, understand what happened, and find a way to move on. But can they do it without Jake?
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Released on Disney+ during the pandemic, this musical tells the story of founding father Alexander Hamilton and depicts the formation of the United States with a diverse cast.