Films that Avert the Idea Animation’s Only for Kids
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.

Fernanda Paes Leme (herself), a famous actress and TV personality in Brazil, feels overwhelmed and unaccomplished despite her thriving career. Just as she decides to play a Hamlet adaptation to find a lost sense of meaning, she has her social media accounts stolen by an identical doppelganger. Business flourishes as a quarantined Fernanda investigates who stole her identity and why, as she tries to redefine herself personally and professionally.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
The Last Duel is about rape. Although the film delves into rape culture in medieval Europe, there are many striking similarities to modern rape culture.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.