Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A father-daughter relationship evolves through an era of bohemian decadence in 1970s San Francisco to the sober and heartbreaking era of the AIDS crisis in the 1980s.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.