The Skeleton In The Closet: 8 LGBTQ+ Horror Films Claiming The Genre
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.

Since the beginning of the full-scale invasion, Russia has used the Olenivka prison, located in Russian-occupied Donetsk Oblast, as a camp for prisoners of war and civilian hostages from Mariupol. Thousands of Ukrainians, including servicemen from the Azov Brigade, have been held captive in its cells. Those who returned from captivity spoke about the inhumane conditions of detention, hunger, and torture in this prison. For six months, the Kyiv Independent team has been working on recreating a picture of the events that took place in Olenivka. Journalists recorded dozens of interviews with the servicemen and civilians who witnessed gross violations of international law.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
These openly gay Hollywood figures risked so much by being honest about their sexuality: judgment, loss of employment, hate – even violence and death.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.