“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

A young psychology student starts a seemingly playful exercise with her friend. After a couple of questions, Maria manages to get Nikola's attention and focus on what she's saying. The one sided conversation soon turns into a confession...
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.