'Shang-Chi' Delivers Epic Superhero Action and Positive Asian Representation
Marvel’s first Asian superhero film, 'Shang-Chi', deserves praise for balancing epic superhero action, a heartfelt family plot, and positive Asian representation.

Life in the Tajik city, everything a neighbor of everything else: a Muslim burial rite, a Soviet May 1st demonstration, women sweeping the floor, a quarrel in a theater about a contemporary set, old men queuing for groceries, young men leaving home for the army, an elderly women coming up to the camera and asking “And why are you filming?” The film, capturing the time, faces, songs, thoughts and hopes of the people, ends with a panorama of peaceful Dushanbe and a song in the background by Boris Grebenshikova.
Marvel’s first Asian superhero film, 'Shang-Chi', deserves praise for balancing epic superhero action, a heartfelt family plot, and positive Asian representation.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
Overall this movie was an easy watch, but by no means a worthwhile watch.