'Pulgasari': The Strange Story Behind North Korea's Godzilla
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
Facce di festa
Shot in the span of a few hours at a party held in Milan in 1979, the film takes the form of a reflection on a fragment of a lost youth reality in search of new references. Young people who, emerging from years of intense political activism and profound social and cultural changes (the 70s), are about to enter a new decade (the 80s) lived under the banner of rampantism and hedonism. A document attentive to individual behavior, to original ideas, to communicative intentions that go beyond parched languages. Facce di festa is built by assembling material collected with different cinematographic techniques: hidden camera, behavioral interviews, descriptive images. In the film, there is an attempt to create a delicate but tenacious interference between the author's narration and the viewer's perception. The camera becomes a vehicle for forcing the cinematographic narration by seeking a new space in the presence of the spectator.
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Shot in the span of a few hours at a party held in Milan in 1979, the film takes the form of a reflection on a fragment of a lost youth reality in search of new references. Young people who, emerging from years of intense political activism and profound social and cultural changes (the 70s), are about to enter a new decade (the 80s) lived under the banner of rampantism and hedonism. A document attentive to individual behavior, to original ideas, to communicative intentions that go beyond parched languages. Facce di festa is built by assembling material collected with different cinematographic techniques: hidden camera, behavioral interviews, descriptive images. In the film, there is an attempt to create a delicate but tenacious interference between the author's narration and the viewer's perception. The camera becomes a vehicle for forcing the cinematographic narration by seeking a new space in the presence of the spectator.
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Runtime:60 minutes
Studio:Studio Azzurro
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