'EXmas' (2023)
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.

Lilith Noir is a hardboiled freelance enforcer for the shadow government that keeps watch over the city of Fable, a mythical realm that exists just beneath the surface of our awareness. When a fast talking private detective shows up on her doorstep, Lilith is faced with the case of a lifetime. A new drug has hit the streets of Fable, black market Ouija boards are everywhere, victims of bizarre murders are choking the city morgue, and the prime suspect is an ancient demon masquerading as an urban vagrant. Witchcraft. Guns. The Occult. Never a dull day in the twilight city.
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night