"In the Heights" Review
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.


Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again. It was a shot in the arm the mainstream Hollywood machine required...and succeeded with.
Fast forward down the track to this soon-to-be-completed Summer of 2025, which saw, for this critic, another glorious injection of magical escapism and visual thrills, with depth of character and story development to boot, via that aforementioned film's director Joseph Kosinski's stellar "F1". Easily one of the best efforts to grace the silver screen this year, the project's combination of drama and breathtaking racing sequences swept us away into the Formula One world with precision driving and engaging flair. It IS "Top Gun: Maverick" for 2025.

Racing legend Sonny Hayes is coaxed out of retirement to lead a struggling Formula 1 team—and mentor a young hotshot driver—while chasing one more chance at glory.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.