Where The Tracks End in Mexico
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.

In the middle of the night, a luxury jeep cruising the streets hits a poor villager on a moped. As the people in the jeep get out to see who they hit, the camera focuses on Reşo's life in the village. From that moment on, we begin to follow the life of Reşo, who lives in a rural area in the east. Following Reşo's story, the story of Yusuf, the editor-in-chief of a newspaper, and the shady dealings taking place at the newspaper are brought into focus. The story continues as the characters move toward the point where their paths collide.
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.