Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

And suddenly, overnight, the world came to a halt. Two men, two survivors, one kid, and hatred that separates them. A place forgotten by everyone, including the creatures that inhabit the Earth... until now.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
Friendships are tested when two girls have a crush on the popular boy at school.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.