Lured by the smell of easy money, beautiful, exotic dancers agree to spend the weekend at the remote mountain getaway of a wealthy voyeur. Once there, the girls are drugged, tied up and slowly tortured to death with everything from a blowtorch to an electric drill by a killer who uses their bodies as a canvas for his sadistic, twisted art.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
Overall this movie was an easy watch, but by no means a worthwhile watch.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
