This is the fifth in a series regarding McDaniel’s ability to cope with her emotional and physical traumas: to desire; to bleed; to burn from the inside out and commit to someone new.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
Korean culture shines in this Canadian export.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
