"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Exit 8 is adapted from the popular game with the same name (The Exit 8), starring beloved actors Kazunari Ninomiya and Nana Komatsu. The setting is rather simplistic: the supposed passage to the subway exit turns out to be an endless loop, like the shape of 8. One has to follow the rules, which are written on a regular sign on the wall, in order to go out: If ‘an anomaly’ is spotted, turn back; if not, keep walking in the same direction. When the protagonist picks the right choice, the number of the exit’s name by the side of the game rule sign will increase (from Exit 0 to Exit 1, etc.). Otherwise, the number will return to 0.
On the way to his supplementary job, the protagonist found himself in this endless loop. Inside the passage, a normal-looking man dressed in office attire walked silently in the opposite direction, which the protagonist figured out was part of the loop. The ‘anomaly’ the protagonist is supposed to look for is deliberately subtle and eerie. There wasn't a dangerous monster threatening his life in this film, yet the little out-of-place details falling into the uncanny valley create an undoubtedly horrifying atmosphere: unironically, “the devil is in the detail.” Ravel’s Boléro, which has an ascending recurring melody, appears several times, and it resonates with the theme.

A man trapped in an endless sterile subway passageway sets out to find Exit 8. The rules of his quest are simple: do not overlook anything out of the ordinary. If you discover an anomaly, turn back immediately. If you don’t, carry on. Then leave from Exit 8. But even a single oversight will send him back to the beginning. Will he ever reach his goal and escape this infinite corridor?
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The initial reaction and review of Netflix's newly released romantic comedy featuring Haley Lu Richardson and Ben Hardy. Spoilers included!
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.