Why Pit 'Alien' Against 'Aliens' When Ripley is Great in Both?
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.

A female projectionist is haunted by the image of a small boy while a killer prowls the city. The projectionist's relationship with her attractive and successful reporter friend drives the plot deeper into insanity.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.