Incluvie Classics: Strong Women and Gender Expression in Alfred Hitchcock's “Psycho.”
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.

La Pin, a sinister sorcerer from Thailand who earns money by placing spells of domination on people. Fa La-ting is his zombie murderess, controlled by a metal spike which La Pin has driven into her skull, and rival sorceress Sofia sends her sexually ravenous midget ghosts after Fa to avenge one of the zombie's murder victims. The main story line concerns a young man named Ming who pines for a beautiful girl, Chun Yin, and yearns to win her away from her suave boyfriend Wong Wai. Ming goes to Nanyang and becomes the sorcerer La Pin's apprentice, picking up enough knowledge to invite the couple to Thailand, and set his plan of enslaving Yin and murdering Wai in motion. After placing the Crazy Love Curse on his intended victim, however, Ming is in over his head, as Wai enlists the aid of the powerful sorceress Sofia to get his beloved Yin back.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
This is not a story of oppression but a story of liberation.