“The Invite” Will Make You Stress Eat
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.

Kuki Fumihiro is a son from a wealthy zaibatsu (conglomerate) family. His father raises him to become pure evil. Kuki kills his father to protect his adopted sister Kaori. Afterward, Kuki disappears. He undergoes plastic surgery and takes the identity of Koichi Shintani. He watches Kaori and faces the great evil that exists within the Kuki family.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.