Gretel & Hansel Gets Lost in Its Beautiful Woods
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Everything Turns, Everything Revolves
A day at the carnival — sensational tent shows where miracles can be seen for the price of admission, boisterous noise of crowds and barkers, shrill and gaudy circus music, the violence of the street ten-fold. This is the substance of Everything Turns, Richter’s first sound film. At its premier at Baden-Baden Richter got into a fight with two Nazi officials who disliked the film's ‘modernism.’ Yet in 1936 it was awarded first prize for artistic merit by the Nazis, with Richter’s name suppressed from the credits. He had long since left Germany.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A day at the carnival — sensational tent shows where miracles can be seen for the price of admission, boisterous noise of crowds and barkers, shrill and gaudy circus music, the violence of the street ten-fold. This is the substance of Everything Turns, Richter’s first sound film. At its premier at Baden-Baden Richter got into a fight with two Nazi officials who disliked the film's ‘modernism.’ Yet in 1936 it was awarded first prize for artistic merit by the Nazis, with Richter’s name suppressed from the credits. He had long since left Germany.
Rating:
Genre:
Written By:Hans Richter, Werner Graeff
In Theaters:
Box Office:
Runtime:3 minutes
Studio:Tobis-Industrie GmbH
Cast
Articles You May Like
“Driveways” Review
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
An exploration of societal expectations and madness: Die My Love (2025)
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.
Creativity Shan’t Be Policed in Issa Rae’s 'Rap Sh!t'
Rap Sh!t has been confirmed for a second season by HBO! Go watch it and support this creative exploration of Hip-Hop culture from Issa Rae.
How Batman: Soul of the Dragon Successfully Sidelined The Dark Knight
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.