Everyday Mom
Rieko Saibara is a cartoonist and mother of a 6-year-old boy and 4-year-old girl. When she has a difficult time, she throws away her problems with laughter. Her husband Kamoshitda used to be a war camera man, but now he's addicted to alcohol. He struggles to overcome his problem, but keeps failing. Finally, they get divorced. After Kamoshida loses his family, he realizes how precious they are. He focuses on getting away from alcohol, but another disease comes to him. Even though Saibara knows that he can not make it for long, she accepts him back to her family again. Since then a happy, but short, time exists for the family of four.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Rieko Saibara is a cartoonist and mother of a 6-year-old boy and 4-year-old girl. When she has a difficult time, she throws away her problems with laughter. Her husband Kamoshitda used to be a war camera man, but now he's addicted to alcohol. He struggles to overcome his problem, but keeps failing. Finally, they get divorced. After Kamoshida loses his family, he realizes how precious they are. He focuses on getting away from alcohol, but another disease comes to him. Even though Saibara knows that he can not make it for long, she accepts him back to her family again. Since then a happy, but short, time exists for the family of four.
Rating:
Genre:Comedy
Written By:Katsuhiko Manabe
In Theaters:
Box Office:
Runtime:114 minutes
Studio:NAS, Mainichi Shimbun, King Records
Articles You May Like
How "Batman: Soul Of The Dragon" Successfully Sidelined The Dark Knight
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
Is ‘Django Unchained’ Tarantino’s Best Film?
We're 'All Together Now' to Give a Hand
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
“I Care A Lot” is Subversive Anti-Capitalist Camp Brilliance
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
“Young Washington” Is Imperialist Propaganda
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.