Spider-Man: Into The Spider-Verse Tells Us to be Our Own Heroes.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.

AmeriQua is the story of a lazy recent graduate, Charlie (Bobby Kennedy), whose rich parents cut him off with a $5000 check and an ultimatum to start a life of independence and responsibility. Instead, he buys a plane ticket to Italy, gets robbed upon arrival and winds up in Bologna in the care of his new friend Lele (Lele Gabellone), the self-proclaimed King of Bologna, who lives with a scraggly punkabbestia, Ballo (Gianlucca Bazzoli), and the insatiable prostitute frequenter, Il Pisa (Giuseppe Sanfelice). In Bologna, Lele teaches Chrlie the subtle strategies that the King knows so well, namely hitting on Italian women, throwing all-night parties and inciting general anarchy. Charlie takes to it like a pro and in the process meets the dangerously beautiful Valentina (Alessandra Mastronardi) and all-American Jessica (Eva Amurri).
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
This reboot of The Wonder Years is told from the lens of a Black man.
In honor of AANHPI Month, let's celebrate Filipina-American pop star Olivia Rodrigo and her love of horror movies.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.