Set in 1930s pre-war Wuzhou, Wangjiang Tower follows Ah Xiu, a young woman living in a historic riverside building repeatedly targeted by outsiders. She meets and falls in love with Liang Wenting, an architect from Guangzhou, who helps save the tower and gifts it to her. War soon separates them, and for ten years, Ah Xiu waits faithfully, enduring bombings and the pressures of others. When peace returns, she reunites with Liang, only to discover he is now married. Faced with heartbreak, Ah Xiu must choose how to move on from a decade-long wait. The film won Best Picture at the 23rd Varna International Film Festival in Bulgaria.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.
The sequel to the 2010 live-action movie focuses on sibling rivalry.
