The Enduring Beauty of “Persepolis”
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.

An Inuit boy lives on the last melting igloo due to global warming. He struggles to survive by fishing empty tuna cans and plastic bottles in the polluted North Pole.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.