"WandaVision" Premiere: Welcome to Phase 4 of the MCU
WandaVision is already proving to be a huge success.

This documentary introduces us on the daily life of a group of kids who live on the street. Through the narrative and experiences of the protagonists, we discover the Latin American marginality hidden beneath a contemporary city like Santiago de Chile. The camera turns into another one of the group, eventually becoming part of this type of family life born from the tight friendship with which these kids survive.
WandaVision is already proving to be a huge success.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.