Assaf wasn’t brought up by his father, and when he dies, he meets his family for the first time, and as the only son, he’s revealed as the sole successor. When Assaf falls in love with Miriam, a homeless woman who stays in his backyard, a Pandora’s box is unleashed.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
