"Sorry, Baby" is a Masterful Look at the Emotions of Life
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.

From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year