'The Lego Movie' Brilliantly Subverts Movie Tropes
The Lego Movie achieves great humor and story with a combination of childish comedy, adult references, irony, and by subverting popular movie tropes.

Yul Brynner plays political leader Sharif who is sprung from a police van on his way to a firing squad by young loyalists led by Sal Mineo. Yul and the other prisoners kidnap an ambulance and head into the Arabian desert with the police in hot pursuit. All the performances are magnificent: Sal Mineo showing his acting talents, Jack Warden in a wiseguy performance as an employee of Zahrain oil who was involved in embezzlement, Anthony Caruso as a slimy psychotic and the underrated Madlyn Rhue as a nurse who becomes emotionally involved in the proceedings.
The Lego Movie achieves great humor and story with a combination of childish comedy, adult references, irony, and by subverting popular movie tropes.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
This groundbreaking summer blockbuster proves that diversity enhances the action genre.