Minami Yoichiro is a gang member who has killed the boss of opponent clan. Before leaving Japan forever, he visits his sister's grave and becomes involved with a rival gang. He then discovers that his sister was murdered; also it becomes apparent that the pursuing detective has a personal reason for trying to capture him. In the end both he and the girl who was escaping with him are killed. The third film in Shochiku's series Law / Okite.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.
"There is something going on between us that I cannot unravel."
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
