Sam Hunter, an American photojournalist, is ostensibly covering the Pope's visit to the South American country of San Pedro. But Sam's real goal is to track down the elusive revolutionary leader Marcos and bring back an exclusive interview. Sam quickly gets into trouble with the repressive military regime of the dictator Mendosa, which controls San Pedro with an iron grip. Nevertheless, Sam heads off to the mountains to find Marcos. On his way, he meets the radiantly beautiful Dr. Luisa Suarez, a doctor committed to the impoverished mountain peasants. An awakening volcano and the best efforts of a government death squad do not stop Sam from reaching Marcos, and he becomes sympathetic to the cause... documenting it with his photos. In a tumultuous climax, revolution and the volcano erupt simultaneously, as Sam struggles to get his revealing photos out to the front pages of the world's newspapers.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
A homeless girl faces depression and uncertainty during the holidays.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
