Kao Han (Kenny Bee) and Pan-yun (Xiu-ling Lu) meet for the first time as strangers in a pet shop. It is destiny that they meet a second time and Kao Han takes a chance in this second meeting to pursue Pan-yun. Pan-yun is reluctant to get involved with Kao Han because she still thinks about and love her late-husband and also her late-husband's niece, Ko-hui (Lan-xi), is in love with Kao Han. Reluctantly and unwillingly Pan-yun falls for Kao Han but their love is not so easily obtained.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
This indie short documentary archived the story of a staple rock band as well as an essential part of local history.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
