Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

France 1972, in a small provincial town, a vicious reputed notary falls in love with a sexy adventurer.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
It's sexy, regardless of what else is going on.
As Andrew’s life begins to change, his passion for drumming soon becomes a spiraling obsession in the pursuit of perfection. Through the use of disturbing and abusive training methods, Fletcher puts Andrew through emotional and physical agony.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.