Epizod Berlin West 

Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.

The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.

Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.

Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.

This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.