TIFF ‘22 Coverage: ‘My Policeman’
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.

Layers of colored matters spread in space. They transform and its movements let us suppose that there is an underlying law that directs the images. Ephese is thus a shape, continually mutating, although its essence remains the same.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
Friendships are tested when two girls have a crush on the popular boy at school.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.