This is the story of Sook-ja (Moon Hee-kyung), a female diver in the beautiful Jeju Islands who has lived a tough life, and her childish son Yool (Yeon Joon). Young man Yool dreams of becoming a writer. One day he discovers his mother, Sook-ja, has terminal cancer, but she refuses to get treated and continues diving in the water. Yool gives up his dreams as a writer and goes to his brother-in-law to ask for a job just so he can change his mother's mind. One evening, Yool comes home drunk and upset. Sook-ja can't bear the sudden pain and wakes up her drunken son.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
