The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

A priest is falsely accused of a rape & murder and is sent to prison. The priest tries to prove his innocence with the help of some prisoners & his cousin.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Given a choice between a man and a mountain, it’s safer to choose the mountain.
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
A documentary film about a disabled female athlete who builds courage within herself and seeks faith.