Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Toto, a twelve-year-old with the appearance of a monstrous humanoid creature, is determined to push his parents to the limit. How much torment is this family prepared to endure? Will the abusive son succeed in imposing his malicious whims on his parents? In this abrasive satire, no limits will be unbreakable.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
Films about casinos have long been a favorite of Hollywood. This is unsurprising, as they're often tied to magnetic characters whose lives revolve around luxury, spectacle, and even danger.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.