Polarizing Polar: An Exploitation Film For the Modern Viewer
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.

Taking off where Enteng Kabisote (The Legend of Okay Ka, Fairy Ko) ended, this year's filmic installment of the much-loved TV series of the earthling Enteng Kabisote and his romance with his Faye, despite the frequent intervention of his mother-in-law Ina Magenta, Queen of fairyland Engkantasia, goes on to bigger grounds. Their family is expanding as Faye is again on the family way. The magical world Engkantasya and the man's world welcomes a new addition to the Kabisote family with Ada, Enteng and Faye's new baby girl - a new princess of Engkantasya. While both worlds were happy with this new addition, Darkness is once again brooding both in Engkantasya and in man's world. In the previous film, Satana, the ruler of Kadiliman (Darkness) lost her powers and was vanquish by Magenta. Reborn through the blood of a traitor, Satana regained her powers and vowed to destroy Enkantasya. This time she has succeeded.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
Sailor Moon Crystal wisely makes the decision to adapt Season 4's Dream Arc into an epic anime movie where the Sailor Guardians shine brightest.