Taking off where Enteng Kabisote (The Legend of Okay Ka, Fairy Ko) ended, this year's filmic installment of the much-loved TV series of the earthling Enteng Kabisote and his romance with his Faye, despite the frequent intervention of his mother-in-law Ina Magenta, Queen of fairyland Engkantasia, goes on to bigger grounds. Their family is expanding as Faye is again on the family way. The magical world Engkantasya and the man's world welcomes a new addition to the Kabisote family with Ada, Enteng and Faye's new baby girl - a new princess of Engkantasya. While both worlds were happy with this new addition, Darkness is once again brooding both in Engkantasya and in man's world. In the previous film, Satana, the ruler of Kadiliman (Darkness) lost her powers and was vanquish by Magenta. Reborn through the blood of a traitor, Satana regained her powers and vowed to destroy Enkantasya. This time she has succeeded.
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
When you first hear that there is a series on Netflix where the lead character’s wife dies from cancer and he becomes dangerously suicidal, you wouldn’t immediately assume that it’s a comedy.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Stand and Deliver is an inspirational classic from 1988 starring Edward James Olmos as Jaime Escalante, and his class of rag tag students in East Los Angeles. It’s the story of how a new teacher shows a motley group of students in the inner city with backgrounds as gang members, dishwashers, and mechanics — the power of self-determination. He teaches the teenagers to believe in themselves through algebra and calculus.
