'Alice' Doesn't Live Here Anymore
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'

Five feminist activists from Marseille, each enduring unique forms of male domination in work and home life, unite over their shared frustrations. Their anger peaks after watching renowned writer Toussaint's overt machismo and commercial pandering during a televised book launch. In a bold move against his phallocratic image, they kidnap him, expecting to expose his true nature. However, as events unfold, Toussaint gradually reveals a sensitive, conflicted side that challenges his public persona. Humor and satire drive this escapade, critiquing traditional gender roles and societal expectations.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
'Selena: The Series' loses sight of the story's heart: Selena herself.