Revisiting the Holy Trinity of Aroace Disney Princesses for Pride Month
Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.

Nothing and no one is safe in this biting satire of the trials and tribulations of young marrieds buying their first home. "Emoh Ruo" takes direct aim at the financial institutions, builders, furniture salesmen, television commercials and almost any other of the many sharks in our society who lie in waiting, ready to help eager young couples commit economic suicide for their little piece of Australia. "Emoh Ruo" is the story of the Tunkley family. Terry cleans houses for a living - but what she'd really like is a house of her own. Her husband Des is quite content to go on living in a caravan. Terry spots an advertisement for 'The Buckingham', a low-budget project home. For Terri it's love at first sight but it isn't till she reveals the depth of her desperation that Des relents and sells his boat so they'll have enough for the deposit. Excitedly they move to the outskirts of Sydney to begin their new life but they soon discover the dream can turn into a nightmare.
Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
A South Korean romantic drama film that brings a strong first love story.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
"There is something going on between us that I cannot unravel."
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.