The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Emilia experiences her childhood through her senses. Until now, her body has been a vehicle for pleasure and curiosity. With the onset of puberty, she grows her first facial hair, and with it come concerns about her appearance. Suddenly, her body is filled with nothing but pain and shame.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
The film is trying to revive DC's former glory, it really is, it just doesn't have everything it needs to get there. Luckily, Black Adam isn't as bad as many internet haters want you to think it is.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.