A Tale of Two 'Scenes from a Marriage'
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.

Lilet yearns to become a paper doll to freely express herself.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos' 'My Big Fat Greek Wedding' franchise.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.