The "Wilds" Is Wildly Diverse
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.

An Argentine photographer, correspondent in the war in the former Yugoslavia, who is fired in 2002 for refusing to fire colleagues at a TV channel, keeps his compensation in a bank in Buenos Aires and looks for work. Suddenly, “el corralito” appears and, despite a law approved in Congress, the Government does not respect it and negotiates with the money from savers. Given this, the photographer surrounds his body with sticks of dynamite, goes to the bank where he has his $150,000 and threatens to blow up everyone who is there if they don't give him theirs. When he is released from prison, he flees and seeks refuge where he was born and raised 35 years ago. There he meets his best friend, who helps him defend his life.
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
The justice system in the United States of America is supposed to operate as you are deemed innocent until proven guilty. But "When They See Us" shows what happens for Black people is they are deemed guilty until proven innocent.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.